Jill McIntosh, Material as Actant I, 2024, graphite powder and offset ink monoprint.

At APS Editions (2024) McIntosh worked with John Pusateri on the offset press to compose monoprints (using graphite and charcoal powder combined with printing ink) to show the embodiment of ‘the Void.’ Using deep black charcoal and dark silvery graphite, the prints show the shifting, unfixed quality of these materials and capture the fragility of human structures when confronted with unpredictable elemental forces.

Particulate and fluid matter move continuously and permeate our world. Rain falls and flows into streams; streams become rivers and run into the sea; seawater evaporates and descends again as rain. This rain nourishes trees that grow in the earth and eventually decay, feeding new seedlings. Matter has what Jane Bennett calls “vitality,”—an energy that ruptures from an event opening new possibilities and new relationships. Transitional Acts: Suspension and Materiality in the Event. Jill McIntosh, 2023.